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May, 2011 Monthly archive

I was going through my itunes recently and stumbled across an incredible track that I hadn’t heard in a couple of years. It was “No One Does It Like You” by the Department of Eagles. The Duo is composed of members Daniel Rossen (now of  Grizzly Bear) and Fred Nicolaus. They began jammin’ after being assigned to one another as roommates at NYU and from there began recording songs using samples and borrowed equipment. You can really hear Grizzly Bear style in this song, very smooth vocals and unique instrumentals. The drum beat is sampled from the Ronettes and aides in creating the track’s very laid back atmosphere.

 

Department of Eagles – No One Does It Like You: Download


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Had the opportunity to catch up with Killer Reese One and DJ Troublemaker, together known as King Fantastic. Read on to find out what the two had to say about L.A., the current state of hip hop and what their plans are for the rest of 2011.

Any inspirations behind your music?

Killer Reese One:    The westside. Gangsta shit.

Troublemaker:    Eating. Los Angeles. Women.

Do you have any particular goals for your music? Personal? Social?

KRO:    I’m trying to drown out the lesser thans, make sure that other products pale in comparison. That way, all we have left is the cream of the crop.

TM:    To continue and maintain a career as a dj/musician/producer. Make girls happy. And, gain the respect of my peers, while leaving a legacy.

Who did you write ‘Why? Where? What?’ about?

KRO:    Everybody.

How did you two get together?

KRO:    An online dating site.

TM:    blackpeoplemeet.com

What was original gameplan for when you two started on Finger Snaps and Gun Claps?

TM:    We met and decided to record one song and see how it went. Then it was three. Then it was 5. Then is was 8. Then it was 10, which became Finger Snaps and Gun Claps. It was this wormhole that led us to where we are now… recording, touring, making videos. As Reese would say, “Doing fly shit.” I’m speaking for Reese now.

KRO:    It’s ok for you to speak for Reese sometimes. Reese don’t mind. Reese ain’t never been about that shit! I’ve been watching “The Other Guys” a lot. Shit was funnier than I thought it would be.

Favorite artists, groups?

KRO:    E40, Andre Nickatina, Devin the Dude, Ice T, Tool, 80′s and 90′s rnb, Trick Daddy, Pastor Troy, The Bird and The Bee, Lovage, Rick James, Bill Withers, Lamb of God, Suicidal Tendencies, Jimi Hendrix, Cuban All Stars… let me know when I should stop. All I do, all damn day, every damn day, is listen to music. It helps me get by, just like weed.

TM:    The Clash, Beastie Boys, Gang of Four, Hall and Oates, Johnny Cash, M83, Milosh, Outkast, Rolling Stones, The-Dream.

Best strand you ever had? And where can I get some?

KRO:    F1 x Gods Gift. They used to have it at “The Farmacy” on Abbott Kinney. Haven’t seen it in a while.

What’s your opinion on the current state of hip hop and rap music? Invasion of the hipsters?

KRO:    Josh, please do the honor….

TM:    Very little “true” hip hop exists, and the majority of rap, and/or people impersonating rappers, is greater (in size) than ever, but exponentially weaker (in talent) than ever. It is a culture commodified by outsiders, who have no culture of their own, who then, in turn, cannibalize themselves.

Favourite thing to do L.A.?

KRO:    I drink, smoke, eat, fight, and fuck at the beach. I avoid going inland as much as possible. I have 3 felonies and one strike, so I avoid shenanigans when I can.

TM:    Drive up PCH (Pacific Coast Highway) past Malibu and kick it at the beach.

When are we going to be hearing new material from you two?

KRO:    D.O.S.

TM:    In the death of summer.

Who’d you like to work with in the future?

KRO:    Jay-Z, Rick Rubin, Cee Lo.

TM:    DJ Quik, Jay-Z, Mark Trombino, Trent Reznor.

Origins of the track ‘On Q’?

TM:    The beat for “On Q” was the first one I made, and an impetus for the sound of the album.

KRO:    Josh’s soul on the beat, and a fun little night, back when I used to party in Hollywood like that. One of my “fuck off a couple stacks” nights. Back when the income was expendable. It’s also my favorite production on the album.

Plans for the rest of 2011?

KRO:    My son’s (Raider Alexander Rivera) first birthday. Oh, and rapping, and touring, and Europe. I got my passport back.

TM:    Make more videos, record more music, and shows, shows, shows.

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“Eureka”, released March 15th, is the third album from the Vancouver based band Mother Mother. I’m really digging this band’s sound, somewhat like a contemporary velvet underground. Check it out.

Shout out to Karl  (good luck in BC)

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The Stand: Download


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Aspiring Fires: Download


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Baby Don’t Dance: Download


 

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#FreshFridays, volume eighteen (fuck we’re getting old). Some stellar tracks lined up, with a little bit of everything to get the weekend going. Live long and prosper.


Michael Jackson, DJ Chuckie – Hollywood Tonight Club Mix


Chromeo – Hot Mess (Ride The Universe Remix)


Mumford & Sons – Little Lion Man (Sander van Doorn Remix)


Kidz In The Hall – Break It Down


Skrillex & 12th Planet – I Needed Change


Russ Chimes – Tonic (Original Mix)


LMFAO ft. Lauren Bennett & Goon Rock, Millions Like Us – Party Rock Anthem Dubstep Remix

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The new LP from SpacePack favourite Germany Germany. Seventeen tracks spread out over sixty minutes, Adventures covers the sounds of electro, ambient, and synth pop. Always sikk to hear material from this dude as his sound progresses.

[bandcamp album=2753982818  bgcol=FFFFFF linkcol=030303 size=grande3]

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Tasteful cover art and the second track off Peanut Butter & Swelly.


Download

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Possible first taste off The Weeknd’s upcoming Thursday project. After some older material surfaced of Tesfaye the other day, we get this acoustic jam from the emerging Toronto crooner. Not really digging this track as equally as some of the shit from House Of Balloons, but still a solid effort overall. Test it out below.


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Superb song and maybe even better visuals for Kendrick Lamar’s latest track. Who else is amped for #Section80?

DOWNLOAD: Kendrick Lamar – HiiiPoWer

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What’s good peeps? This is the second edition of a new series we here at SpacePack are trying out. The ten part series will showcase some of our favourite albums, and the artists that crafted them, of the last decade. Looking back, we’ll check out albums that we (Rich, Kenny, and myself) found to be particularly influential, creative or that remain staples in our music collections.

When this series was first proposed, I had a ton of albums in mind that I wished to showcase. However, when I was flipping through my iTunes library, a piece of album artwork came up that set my mind straight. The image you see above is the album cover for the 2006 debut release Whatever People Say I Am, That’s What I Am Not from the English indie rock group Arctic Monkeys. The pure awesomeness of this album is hard to do justice with words, but here’s my best stab at it.

When listening to this album, there is really one thing to keep in mind; Whatever… is intended to be a concept album that focuses on the behavior of night clubbers. Essentially, it’s all about Saturday night and Sunday mornings.

Take the opening track Leave Before The Lights Come On for example. One of the lines front man Alex Turner sings is ‘Quick let’s leave before the lights come on ‘cos then you don’t have to see what you’ve done’, a clear tale of a one night stand and the next morning’s realization of what the fuck did I do last night?

The band kicks it into high gear with their next track and arguably greatest hit to date,  I Bet You Look Good on the Dancefloor. Following the perspective of an eager club goer (I sometimes like to think that the album follows the perspective of the bloke pictured above), this track takes a realistic view of night club romancing ‘Oh, there ain’t no love, no Montagues or Capulets/Just banging tunes and DJ sets and/Dirty dancefloors, and dreams of naughtiness!’  Who ever said chivalry was dead?

Arctic Monkeys – I Bet You Look Good On The Dancefloor


Many of the tracks follow similar themes of the Northern England night scene but each framed in a different way. The track Dancing Shoes is about people always looking to pull when they go out however much they mask it. Still Take You Home is exactly what it sounds like, the trials and tribulations of romancing a girl, if only for an evening. Perhaps You Couldn’t See for the Lights But You Were Starring Straight At Me is not only a long ass title for a song, but also discusses the common behaviour of guys when a pretty girl is around, cracking jokes and peacockin’ to get here attention. I’m pretty sure everyone can relate with this one.

Riot Van takes a more mellow departure from the album up to this point. It’s a real slow burner of a tune and marks a change in mood for the album.

Arctic Monkeys – Riot Van


Mardy Bum is one of my all time favorites, not just on the album but in general. It has a beautiful guitar hook and I believe is the first song on the album that doesn’t directly talk about pulling girls on the night scene. I had to do some digging on this one, but ‘Mardy’ is English slang for ‘moody’. Not exactly sure how this relates to the song, moody bum anyone?

Arctic Monkeys – Mardy Bum


The album comes to a close with another fantastic standout hit that challenges Mardy Bum for supremacy of ‘favorite song’. I can pinpoint this track as the one that turned me onto the album as a whole rather than just the singles. Favorite line, There’s only music so that there’s new ringtones. Ha!

Arctic Monkeys – A Certain Romance


All in all, the superb drumming of Matt Helders, the rhythmic basslines of Nick O’Malley and Andy Nicholson and the definitively English vocals of Alex Turner set this album head and shoulders above all others (at least within the past 10 years). Whether it be peacocking yourself to the opposite sex, burning tile on the dancefloor, or being thrown into a riot van, the Arcitc Monkeys tell one hell of a story through each of the tracks on this album. It took a lot of restraint not to post all songs from this album, so if you like what you hear I strongly urge you to go out and buy Whatever People Say I Am, That’s What I Am Not, she’s a beauty………even in the morning after.

Keep an eye out for the Arctic Monkey’s upcoming release Suck It and See. LOL!

Cheers!

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Quickly wanted to drop off a track from Foster The People‘s debut Torches. The highly anticapated debut album from the Los Angeles group has eleven tracks including the hit single ‘Pumped Up Kicks’. Audio below of the last track off the album ‘Warrant’.


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